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Today's episode features audio from the recent Poultry Keepers 360 Livestream on Improving Production In Barred Rocks with Jason Yuke in Canada.
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Jason shares his experiences with Jeff Mattocks and Carey Blackmon.
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Good afternoon or good evening, everyone.
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I am here with Jeff and Jason.
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Rip is not gonna be with us tonight.
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He has better things that he needs to attend to.
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I did post a little earlier today about Rip and how things are and how to get in touch with him if you need him, the best way that he prefers.
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So yeah, our thoughts and our prayers are with Rip.
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Jason, how are you?
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Good.
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How about you guys?
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I'm good.
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I'm good.
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Good.
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Let's see, so tonight what we're gonna talk about is the production or restoring the production of the Bard Plymouth Rock.
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Jason has done a lot of work with that bird, and so tonight he's gonna tell us a little bit about that.
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Jason, can you take us back to how you first became involved with poultry?
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And what drew you into that?
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Yeah, it's it's a long story, but we'll fit it in here.
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No problem.
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I grew up on, on two farms, both grandparents' side, and there was always birds around.
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We were primarily beef farmers and the chickens were just around.
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I really didn't pay any attention to it at all.
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And 10 years ago we bought a little homestead.
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My wife and I.
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And, the dream was, let's get some chickens.
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So we got a few chickens, just backyard flock.
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Started thinking about, okay let's get some meat birds.
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And we got some meat birds, of course.
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We went with the Cornish Cross and started doing a little bit of research and digging around on the on the internet and thought, you know what?
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Maybe we can do this and get some, get a dual purpose bird, right?
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So started looking at the dual purpose birds.
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First thing I do is go to the hatchery about 10 about nine, 10 years ago.
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Thought, what a perfect bird.
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Go to the hatchery, get the Bard, Plymouth Rock, start looking at them.
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Get a little bit more interested than start looking on the internet and go.
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You know what, these things don't look like anything like a Bart Plymouth Rock.
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And so I went through the hatchery blues and found out that, that's probably not the best place to start to get into the standard breeds.
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Then I decided, okay, I'm going into this.
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I am, I'm gonna do this.
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I love this bird.
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I go to a couple of shows around here.
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I find the best birds I could find.
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I knew nothing about these birds.
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Trust me.
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Nothing about these birds.
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Go and talk to the first, second place guys.
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Pick the birds up.
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Tell'em what I'm gonna do.
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Did I ever get a lesson in hybrid vigor?
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Vigor?
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I bought some show birds.
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The first year, the best thing that ever happened to me is a mink killed them.
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I.
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You hate to do that to these good birds.
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But I realize that, some of these guys take it to the extreme, so much in the ring that they breed and breed, and then they cross right before right before a show.
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And get a bird that, that I know now is referred to as hybrid.
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Hybrid vigor.
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Beautiful bird.
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If you knew what you were looking at the foundation of that bird seemed okay.
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But it really wasn't what I was looking for.
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So after the mink did the duty for me I started talking and there was a local farmer around here, and his granddaddy raised pigeons, and he raised barred rocks.
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So he explained to me what it would take, what I needed to do.
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A little bit about line breeding, a little bit about spiral breeding, and I ended up getting some lines off of him.
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So that was that was the foundation Kerry and then I got a little bit more involved and, watching 360 looking at some of the older Jeff was on a lot of the older oh with Jim Akins.
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What was it?
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Help me out there, Jeff.
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Was it sustainable Poultry Network.
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Network.
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Yeah.
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And yeah, and I found this and I thought, okay.
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Started reading a little bit more started doing a little bit more of my own research got to know, Rip a little bit, got to watch you guys and thought, okay there's a little bit of a difference here between.
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A show bird and a and a production bird.
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So really and truly, that's what drove me.
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And I started talking to Rip and Rip those.
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I think you're doing, I think you're doing a really good thing here.
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And so we started talking about the 1940 birds in that style of bird, I.
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And I started breeding and paying attention to the production qualities.
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And that's what I've been trying to do.
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It's, it, there's been some challenges, of course.
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But that's the direction I was heading and wanna go still.
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So what about the barbed Plymouth Rock specifically made you say, that's the breed I wanna work
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with it.
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The neat thing about the bar Plymouth Rock, a lot of people refer it to as the first chicken in America.
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That's not the truth.
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But it was the first standard it was the first standard bird in America and I think they were showing Rip.
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Might Rip might shoot me for saying this,'cause I might get the wrong dates, but I know I'm close.
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I think they started showing them in 1949 in Boston up around Plymouth Rock.
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And then they developed it even further and.
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Was it 1873?
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I think it was inducted into the first into the first volume of the standard of perfection.
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And when I seen that exact bird, I thought, okay, back then they didn't have anything fancy, they were just probably a bunch of showmen and a bunch of farmers.
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And that's really what enticed me into that bird is just the history.
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Just the history of it, where it came from.
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I think it was developed it was developed by some English birds, I think.
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Some cos some Braus.
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And Dominique?
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I believe so.
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Yep.
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Outside of the birds, what does the day look like for you on the farm?
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It's an early one.
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It we have we, we have.
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We have some livestock.
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We've got some pigs.
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Getting into quail, I've got two different breeds of birds.
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It's usually up close to daylight.
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Let the birds out.
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I myself, there's many different ways of doing it.
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I free range everything except for quail.
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Except for the pigs.
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You don't want our free range pigs.
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But but yeah, I free range the birds, so I get out, fill the feeders up, get the water fresh.
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I usually stand for 15 minutes and watch them.
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And yeah, that's the start of the day.
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And it really is quite easy.
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I got a couple of good babysitters through the day.
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I just let them out.
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My dogs are around and really and truly just keep the water cold.
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Keep it in the shade and birds.
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Perfect.
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They got perfect homing devices.
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They're usually all there when I go back and shut the
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door at night.
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Yeah.
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One thing I've noticed about chickens, just about any other animal run off, but for a chicken to leave, it's gotta be bad.
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Yeah.
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If there's food and water, they're not going anywhere.
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No.
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When you started your journey to restore the production traits in the, in your line of the Plymouth Rocks, what all was involved in that?
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Tell us like, what did, why did you have, why and the what behind all of that?
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Yeah.
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What was that like?
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I guess I started to realize when I had the exhibition birds, that they weren't fitting the bill on, on production.
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When I had the exhibition quality birds and they were some pretty birds you'd get two or three eggs a day and when you felt the bird, it just didn't flesh, it just didn't feel flesh fleshed out properly.
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And certainly when we tried, I don't know why they call hatchery birds, dual purpose birds'cause there's nothing to them.
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You can't go that route for your meat supply.
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You look like I don't even know what it would look like, and I don't know if there'd be more meat on a quail, I think sometimes, but Hey, those are getting
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jumbo these
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days.
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Yeah, exactly.
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So what we, what I wanted to do is was get a bird that could be very calm, be around got a son, be around my son.
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Not an aggressive rooster at all.
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Had some aggressive, got rid of that.
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The get the egg production, it's a little different in my area with egg production just because of the lighting and then it gets really cold and I don't supplement the lighting, but I want, I wanted to get those five eggs a day a week.
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I wanted to be up in the 200, the 260 range bracket.
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And what I really wanted is I wanted that seven to eight pound hen.
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And I wanted that 10 pound rooster.
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And that's where the light switch went off.
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And then I started reading I started reading a few books.
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And again, watching everything I could get my hands on about them.
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I started handling my birds more and I could actually feel the development differences different d different, the different.
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The different feel on the bird.
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You could feel the, how the keel should be and how the fleshing should be.
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And that's where I started.
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And and then I had some conversations with Rip.
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We talked about it years ago, and he pointed me in the right direction as to what he thought.
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The perfect era of the bird was, and that was in the 1920 to 1940 pre-war.
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And he said back then they were in every backyard there.
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The uniformity of them was fantastic.
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They all looked alike.
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The line was solid.
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And that's the, it's the corner I took.
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And so I've been comparing my birds, not to today's birds, but but to the 19, 20 photos and those standards.
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Yeah, I agree.
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'cause there's a lot of things that I mean like cars and everything else, I just don't build'em like they used to.
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Yeah.
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People have focused on other stuff and when I first started getting into birds again, I took a few year hiatus.
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And when I met Rip first, and up until then I never really thought of why to ha, why do I need to handle my bird as a chicken?
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Feels like chicken.
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But r really taught me a lot about what to feel for, why to feel for it, the importance behind it, things to look for, when you're looking for that bird.
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And Jeff, he.
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He taught me to look at the poop.
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I never looked at chicken poop before the last few years, but now I can look at it, man, that, that bird's eating good or that bird's got something going on.
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What traits do you specifically select four in your line?
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Egg numbers laying persistency.
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The shell quality?
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Yeah.
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What kind of traits do you
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specifically breed for?
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So I give a little up on the aesthetics to get on the fleshing.
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I want a really heavy, fleshed bird.
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I want my focus on the hens.
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So I go do this twofold.
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And what I focus on in the hands is, are they a good layer?
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Are they a good free ranger?
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Are they calm?
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Can I hold them?
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I pretend to look at that bird and feel that bird like it was de feathered.
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The last thing I look at are the feathers.
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I think Rip taught me a few years ago, look at the head, how important the head was.
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A good wide head will set the whole skeletal structure.
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And and I wanna re reverse a little bit to get to these, get to the birds that we're producing now, I don't think I would've ever got there if it wasn't Project mad.
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Because of the nutrition.
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Like I, I was just a bag of feed was a bag of feed.
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Go to Tractor Supply or PV Mart.
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You buy the, you don't really realize the influence on on feed what it can do.
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And I learned that firsthand.
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I was fooling with protein and I called Jeff.
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We actually talked, messaged for one evening and he gave me some time.
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And I found out what, real, real quick, what happens when you put a little bit too much freshy in the Kool-Aid, right?
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It had some pretty big eggs popping out and and within about a week Jeff helped me correct that I got a little carried away with the with the soybeans, let's say.
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But but that's what I'm looking for.
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I'm looking for the production qualities of a hen five eggs a week.
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I want the seven, seven to eight pounds somewhere in the middle.
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Seems to be good.
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Around seven and a half.
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Yeah, a little bit more particular on the width in the rooster.
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What I give up in the hen is I can make up on the rooster.
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And if you want, Carrie, you, if you wanna play those two videos of the hen in the in the rooster, I say a few things in there that I'm talking about now.
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All right.
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Good evening, poultry keepers 360.
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I thought I would do a little demonstration on what I look for when I'm handling a bird and look for what I want in a bird in my lines going forward.
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This is one of my breeding hens.
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Her feathering I'm not really that concerned about.
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What I'm looking for are the production qualities and what would make a production quality for meat and eggs.
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So when I first grab a bird, I find laying them right on the keel.
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It seems to be the best for handling.
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I usually start at the back and I look for a wide back and this bird is wide.
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You can see how wide she is all the way down through here.
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I usually take my hands and go around and find the pin bones.
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And the bottom of the keel the bottom of the keel should end behind the front, behind the legs.
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I then go up and feel the top of the keel, and I think Rip has done is, has mentioned this before, if you lay the bird down, you can feel how straight she is.
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I then examine the legs.
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I look for, how much meat's on them, then go around to the breast and I can feel that this one's got a fairly heavy breast.
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She would be a good candidate, which she was a good candidate for breeding.
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I have a look at the head and you can see down the head if you can see, right?
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If you could see eyes you know that bird doesn't have the skeletal structure right off the bat.
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I look for width.
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I can put my full fist between her legs without touching.
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And then I look for length.
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And this bird is a very long bird.
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You can see where my fingers are.
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That's 10, 11, 12 to the back.
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Her flat, her flatness is good.
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And the other thing that really is important is our calmness.
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I do an evaluation on the calmness as well.
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Are they gonna be freak out?
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Are they going to be fine around the farm, the barnyard around equipment, around my dogs?
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So that's just a little demonstration of what I look for.
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And hope you enjoyed the viewing and we'll see you back online so I could add a little bit more of a comment on there as well.